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NYT Theater@nytimestheater

Michael R. Jackson’s new musical, “White Girl in Danger,” was inspired by soap operas like “Dynasty” and “Days of O… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

Human ingenuity and animal grace course through “Life of Pi,” a rich, inventive play adapted from the prize-winning… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

The British experimental theater company Complicité turns the Nobel laureate Olga Tokarczuk’s novel “Drive Your Plo… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

The new Broadway comedy “Peter Pan Goes Wrong” is full of daring, flying sequences. What does it take to pull them… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

Tashnuva Anan Shishir, who became Bangladesh’s first transgender news anchor in 2021, is now performing in “Public… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

Arlene Hutton’s spry and zippy play “According to the Chorus” at 59E59 Theaters takes place in a Broadway quick-cha… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

The relationship at the center of the play “Día y Noche” is not romantic but just as complex: an enduring friendshi… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

In “James Brown Wore Curlers,” Yasmina Reza tries out a more far-fetched premise than in “Art” and “God of Carnage,… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

There’s a new “Sweeney Todd” on the menu: a ravishingly sung, deeply emotional and strangely hilarious revival star… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

An update of the 1592 play “Arden of Faversham” aims for a sharp contemporary retooling, but fumbles the original’s… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

Attention to culinary detail is the most succulent part of “Sancocho,” a heavily seasoned family drama by Christin… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

Andrew Lloyd Webber’s “Bad Cinderella” is not the clever, high-spirited revamp you might have expected for Broadway… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

“The muse has already wandered the halls there, and I want to meet her and see what she has to offer us,” Jeremy O.… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

To its fans, the TV series “Smash,” which lasted two seasons on NBC, always deserved a longer life. Now it’s Broadw… twitter.com/i/web/status/1…

"Camelot" is back on Broadway, now with a new book by Aaron Sorkin. He talked with me about his approach to revisin… twitter.com/i/web/status/1…

Broadway news: A "Smash" musical, adapted from the NBC television series, is aiming to arrive during the 2024-25 th… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

“I wrote 86 episodes of ‘The West Wing,’” Aaron Sorkin said, “and every single time I finished one, I’d be happy fo… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

The team behind the puppet animals in “Life of Pi,” opening at the Gerald Schoenfeld Theater on March 30, discuss h… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

“I knew I wanted this to be a show about outliers,” the writer Robert Horn said of “Shucked,” the new musical-comed… twitter.com/i/web/status/1…

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NYT Theater@nytimestheater

In Zora Howard’s new play, “Hang Time,” at the Flea, we catch just a few moments in a breathless eternity for three… twitter.com/i/web/status/1…